Sunday, August 3, 2014

Back literary: Nicolas d'Estienne d'Orves, praise the cannibalism

Back literary: Nicolas d'Estienne d'Orves, praise the cannibalism
The - Published 08/03/2014 at 16:19 - Amended 08/03/2014 at 17:19
Every day, The you discover the best of the literary season. Today, "devouring" of Nicolas d'Estienne d'Orves.

Back literary: Nicolas d'Estienne d'Orves, praise the cannibalism

Nicolas is a writer and lives in Paris . With his mother, because he never could write a line other than his childhood bedroom ... His favorite subject? Blood. Suffering, pain, sordid crimes more or less romanticized that sell like hotcakes and for which one makes hours in line at the book fair. The great success of the Cult of blood succeed Joys of evil , The Apology of suffering, pain ... Naked "Snapshots of massacres that collect necklaces of praise."

Rocked by glory, Nicolas could have sold a long time his bestsellers without asking too many questions. But Judith, his publisher, decided otherwise. No more blood and horror. It's time to unmask, to lay bare. Meanwhile inspiration struggling to come, Nicolas handles as he can between trips to the opera with a grandmother and characterological orgiastic parties with his girlfriend Cecilia, predatory and brilliant lawyer in his spare time. Together, they hunt. Their concerns, their discomfort, but most desire, carnal prey.

A few centuries hence, also in Paris, a father sends his son what he himself learned from his father, who himself knew his. The executioners are Rogis from father to son and pass on the load as you take the crown. Decapitations, guillotine ... Every time his technique and blood on his hands. Why novels Nicolas are they still murder? By exploring the scalpel Sagawa case - the case became Morimoto - in the novel, Nicolas d'Estienne d'Orves honors the omnipotence of literature. Does the writer who tames writing or writing that tames? The question remains open ... and it's the reader who devours.

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